![]() ![]() Once the exposure is right, move on to the white balance – you can do this with the color temperature and the tint sliders, but you can use the automatic tool included in most programs. You can start by adjusting the black and whites of the scene, then proceed to the shadows and highlights. You can see this in action in the above video. You use the dynamic range to improve the recording’s exposure, contrast, and saturation.Ī good workflow to do a primary color correction is to adjust the exposure, the white balance and saturation of the entire image. Here you take advantage of all the information recorded in your video. Whatever color grading software you choose, here are the steps to take: 1. You’ll find basic color grading tools in all the video editing software available in 2023. Typically, color grading is heavily influenced by decisions made on set by the director and director of photography (DOP).Īs long as footage has been captured in RAW or LOG format, a color grader can apply non-destructive edits to help the director achieve his/her final vision. If you don’t want to do the color grading manually, you can use a LUT. ![]() This step gives character to the scene – that’s why the director and the photography director decide the color scheme – then it’s applied by the colorist. Here you can adjust the white balance, hue/saturation, find complementary colors, etc. Regardless of the profile, you then need to color correct your video. Many professionals like to use a flat picture profile because this gives less contrast, and it’s easier to work on highlights and shadows in post-production. Each profile will have a different amount of information – this means that you’ll have more or less room to use the editing tools. Finally, the color grading is to add a specific mood.įor the picture profile, you can choose a flat or log profile on your video camera – for example, a C-Log on Canon. First, you have to choose the picture profile. There are LUTs available online for sale and for free while some programs such as Photoshop, include some of them by default.Ĭolor grading is an essential part of a three-step process to manage the final color in a video. You can use LUTs to color grade your images automatically too. ![]() Keep in mind that using the presets of your camera doesn’t mean that you don’t have to do some colour correction afterwards – but you can do that with the basic tools of any photo editing program. Most cameras offer Sepia or Black and White color grading, but others provide more choices.įor example, the ones from Fuji offer vintage film looks to color grade while capturing images. While color grading in photography is mainly done in post-production, it can be done in-camera too. As you can see, you’ve probably been doing this process in your post-production workflow all along, and you didn’t know it. Perhaps you’ve also worked with LUTs (LookUp Table), which is a series of automated commands that color grade an image. The new grading tool has three color wheels each one with its own set of sliders. This panel only included two sliders – one for highlights and another for shadows – also, it worked only with sliders. Unfortunately, it was a bit limiting because you couldn’t work on the midtones separately. For example, in Lightroom, this was the only tool available for color grading. However, there is a difference between color correction and color grading – I’ll talk about that later in the article.Īnother name you’ve probably heard before is Split Toning. For example, many people refer to this process as color correction. You’ve probably done this before, but you knew it with a different name. ![]() Color grading in photography is a technical process that allows you to separate the pixels of your image by brightness values (highlights, midtones and shadows) and apply a different color tint to each part.Įven if you’re working on separate parts, any adjustment you make will change the mood of the whole image – that’s what makes color grading so powerful. ![]()
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